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Like a wise woman once said, laughter through tears is our favorite emotion.
Even in Stoka (the theater she worked with) there was often laughter through tears.
"Laughter through tears is my favorite emotion," Truvy says near the end, as if to sum up the point of the play.
But, of course, this is (in Russian)-this is laughter through tears.
The correspondents rushing the departing host on his final show was perfectly fitting - laughter through tears.
It’s about practicality and laughter through tears.
"It is laughter through tears," she said.
"Laughter through tears," they called it.
Cue the laughter through tears.
Laughter through tears, remember, mate!
Speedy, jagged tunes and laughter through tears are hallmarks of Romanian Gypsy music.
As one of the characters puts it, after a moment of sisterly communion with her friends, her favorite emotion is "laughter through tears."
If, like Steel Magnolia's Truvy, laughter through tears is your favorite emotion, then we've got a video for you.
The Cinema of Gosho Heinosuke: Laughter through Tears.
Laughter Through Tears is the second album released by London, England based experimental band Oi Va Voi.
KT Tunstall, though never an official member of the band, featured on the Laughter Through Tears album and was a regular member of the live set-up.
Bikel, who became a full-time Los Angeles resident five years ago, continues to perform a one-man show he wrote himself, "Sholem Aleichem: Laughter Through Tears."
"LAUGHTER through tears is my favorite emotion," says Truvy, the owner of the most successful beauty shop in Chinquapin, La.
She toured with the Klezmer band Oi Va Voi, and stayed with them while they were making their album, Laughter Through Tears.
The most moving part of “Sholom Aleichem: Laughter Through Tears,” Theodore Bikel’s one-man play with songs at the Baruch Performing Arts Center, comes near the beginning.
Bikel was nominated for the Drama Desk Award in 2010 for outstanding solo performance for "Sholom Aleichem: Laughter Through Tears," an off-Broadway play which he also wrote.
Written over many years and in response to the variety of Jewish catastrophes of the late 19th and early 20th centuries, the stories epitomize Rabinovitsh's style, including his signature style of "laughter through tears".
The Funny Dream or Laughter Through Tears (Vesyoloye snovidenie ili Smekh skvoz slyozy, 1976, Unuilio VII, the Chess King)
It is the perfect joining of two genres long popular in regional theater: the small-town play like "Greater Tuna," whose lunacy is based on the intimate knowledge of one's neighbors, and a variation on Southern grotesque, the sometimes lurid sentimentality that Dolly Parton as Truvy here calls "laughter through tears."