Sollogub wrote the novel Tarantas about this journey, and Gagarin illustrated it.

The tarantas "Tío Sabas" is dedicated to the flamenco composer Sabicas.

Tarantass (Tarantas)

To Pepe Cuéllar's guitar, María Amaya La Gazpacha sang bulerías and tarantas.

Tango family, which al use a 4/4 compás cycle: farruca, garrotin, marianas, tarantos/tarantas, tientos, tanguillos, and tangos.

Almería (G major), relating to the Andalusian seaport, features the rhythm of the tarantas, a dance characteristic of the region of Almería.

He is best known for his 1845 novelette Tarantas ("The Tarantass"), "a satirical journey from Moscow to Kazán in a tumble-down traveling cart.

Cante Intermedio group: includes granaina, jabera, malagueñas, medio polo', mineras, petenera, policaña, tarantas/tarantos, and tientos.

Originally the cavalry of the army of the Greek city of Tarantas (Tarentum) in Magna Graecia, it was renowned for its peculiar battle tactics.

Palos in the fandango family (including malagueñas, granaínas, tarantas, and the fandango de Huelva) can be seen as stylized forms of genres of Andalusian folk music.

The palos that suffered this process were the malagueñas, granaína and media granaína, and the group of the cantes de las minas, including: tarantas, cartageneras, minera, murciana and levantica.

Fandangos and derivative palos such as malagueñas, tarantas and cartageneras) are bimodal: guitar introductions are in Phrygian mode while the singing develops in major mode, modulating to Phrygian at the end of the stanza.

One could see some of what Segovia was talking about in works with titles like "Flamenco Jam" and "Jackson Country Fandango," but their titles aside, these pieces observed patterns of such time-honored forms as the burlerias, farruca, tarantas and soleares.

October 2004: El Mundo De Guitarra Album Release-Jureidini released his first Album, El Mundo de Guitarra, which contained several pieces like: Tarantas, Miguel, Maria, Fandango de Huelva, etc.

Modern guitarists such as Ramón Montoya, have introduced other positions: Montoya himself started to use other chords for the tonic in the modern Dorian sections of several palos; F sharp for tarantas, B for granaínas and A flat for the minera.