parodos

After making its entrance singing the parodos, it does not usually leave the orchestra until the end of the play.

Now for Priam, a chariot entry through the parodos, which always goes well.

"Parodos" is also the term for the ode sung by the chorus as it enters the orchestra.

Outside the parodos the cart was waiting, drawn by four oxen, with the gilded spoils of Troy.

The parodoi (plural of parodos) were tall arches that opened onto the orchestra, through which the performers entered.

Now Phigeleia was gone; I heard Athenian flutes receding, the singers dying away beyond the parodos, the stillness left in the heart.

Parodos: The Chorus of knights runs into the theatre and immediately skirmishes with Paphlagonian - such a rapid entry into the action is unusual.

Parodos: A parodos is the entry of the Chorus, conventionally a spectacular occasion for music and choreography.

"Parodos" shared the first half of the concert with Beethoven's Piano Concerto No. 1, with Lars Vogt as the soloist.

Which, if you think about it, is also the Neoplatonic mechanism of Exodus and Parodos, miraculous dialectic of the Way Up and the Way Down."

We were still working without masks, so I could see with the tail of my eye; as I did my last exit, someone in front jumped up and made for the parodos.

Parodos: In Old Comedy, the parodos or entry of the Chorus was an important element in the entertainment, accomplished with music, dance and extravagant spectacle.

Eisodos (or eisodoi) is a term used for Ancient Greek Plays in order to describe any of two passageways leading into the orchestra, between theatron and skenê (also known as the parodos).

They also served as the ancient equivalent for a curtain, as their parodos (entering procession) signified the beginnings of a play and their exodos (exit procession) served as the curtains closing.

Mr. Gilbert, a New Yorker who is the chief conductor of the Royal Stockholm Philharmonic, began with "Parodos," a magnificently noisy 1987 score by the Swedish composer Daniel Bortz.

It was called Loki Bound and was as classical as any Humanist could have desired, with Prologos, Parodos, Epeisodia, Stasima, Exodos, Stichomythia, and (of course) one passage in trochaic septenarii-with rhyme.