The performance of the 70 year old kobzar left a great impression on the participants.

At the age of 4, the future kobzar became sick and lost his sight.

To them, the blind kobzar was a living reminder of their past.

There unfortunately is scant information in written sources about this kobzar.

The hard life Kravchenko led left its impact on the life of the kobzar.

After spending four years at home, Ostap again attempted to undertake studies under a kobzar.

That summer, the first summer kobzar school was organized in Yekaterinodar.

During the Soviet period the Kobzar guilds ceased to exist.

Apart from a number of papers presented regarding the kobzar, the participants also had the chance to listen to his renditions.

This performance seemed to have been the catalyst for the formation of the first Kobzar Choir.

The artist began several large-scale canvases dedicated to the great Kobzar making lots of sketches.

The young Kucherenko had exceptional musical talent which directed him to the lifestyle of a kobzar.

The tradition of the kobzar in Kuban migrated from central Ukraine.

Volume 1" he reworked the text again and renamed the poem to "Kobzar".

He is an active member in the Kiev Kobzar Guild.

This persecution did not evade the kobzar.

The organizer of the concert was a kobzar himself - Terentiy Parkhomenko.

In 1910, Opanas Slastion painted two portraits of the kobzar.

Yemetz states that the Kobzar Choir initially had 7 only members:

The Kobzar Guild has grown into a significant movement and force in contemporary Ukrainian musical life.

(It was not possible then to find a kobzar in the Kharkiv environs who sang tenor).

He often spoke: "there probably was never such a kobzar like Pasiuha and in the future there never will be."

In Soviet times museum of one book - "Kobzar" by Shevchenko - was opened there.

He is popularly known for his poems such as "Haidamaku" and "Kobzar."

The head of the "Kobzar" Society suggested that I put together a short handbook for the bandura.