Dodatkowe przykłady dopasowywane są do haseł w zautomatyzowany sposób - nie gwarantujemy ich poprawności.
However, he did not take the last step to historically informed performance.
Many of his students share an interest in historically informed performance.
He is a member of the historically informed performance movement.
In about 1970, the historically informed performance movement caught up with him.
You have to come up with a historically informed performance that is also emotionally involved.
The Society has since remained committed to historically informed performance practice.
Early music is played on period instruments in historically informed performances.
During this time, he became interested in historically informed performance and turned increasingly to playing the recorder.
The group uses historical instruments in keeping with historically informed performance practice.
See Historically informed performance for a more detailed explanation of this topic.
Historically informed performance needs to access musical instruments corresponding to the period of the music being played.
For the movement in performance of classical music, see Historically informed performance practice.
Many of the Society's artists specialize in historically informed performance practices or contemporary music.
She has performed as a concert singer since 2001, notably in the field of historically informed performance.
So, historically informed performance is part of it.
It specializes in early music and historically informed performances.
Both of these are frequently used as references by those interested in historically informed performance on the viol.
Some of this literature includes note errors and 19th-century editorial changes that are not in keeping with historically informed performance practice.
During his tenure, Norrington placed greater emphasis on historically informed performance practices.
Today, the work is consulted by musicians interested in 18th century performance practice; see Historically informed performance.
These are the instruments most often employed by period instrument ensembles when choosing Historically informed performance practice.
Historically informed performances, often on "original instruments", have increased Vivaldi's fame still further.
Both groups now aim at historically informed performances.
These musicians have absorbed the lessons of the early music movement in terms of historically informed performance practices.
With a choir of men and boys, it draws heavily on historically informed performance styles, in the current jargon.
One area she will continue to emphasize is period performance.
Unfortunately, documented period performance statistics are hard to find today.
The decision to move to period performance was taken for a number of reasons:
Then came "early music," also known as period performance.
He was an early advocate of period performance practice.
So the period performance is more visually dynamic and all-inclusive.
In baroque and classical music, this represents the influence of period performance.
We have had many period performances on records of early Beethoven and his predecessors.
Yet North America remains the great blank on the world map of period performance.
That is period performance, all right, and the period is now.
Period performance followed on as a protest against the prevailing music establishment."
Recently in London, a period performance was given of a Berlioz work from the 19th century.
But isn't there always compromise in period performance?
But isn't it too bad that there are so many period performance groups and so few Christies?
Another development has been the growth of the "authentic" or "period performance" movement, which attempts to present music as the composer intended it.
Why is a period performance, for example, of a Baroque concerto more appealing than one using modern instruments?
The recording media have played a central role in dispersing ever-changing notions of period performance practice.
Certainly Jacobs refutes the perception that period performance is inconsistent with beautiful singing.
Another factor contributing to the distinctive sound of a period performance of early music is tuning.
But the most profound contrast between a period performance and a modern one is that the soloist plays the entire concerto from start to finish.
From the festival's inception, its programming has been creative and clever, performed by musicians specializing in period performance.
You had to know that the early-music movement, with its aesthetic of period performance, would eventually catch up with Debussy.
Period performance practice has so thoroughly penetrated the standard repertory that few 19th-century orchestral monuments remain untouched.
Period performances were once confined to "early music," anything before Johann Sebastian Bach.
But the 1960's and 70's brought the great exploration of pre-Classical repertory that went hand in hand with the development of period performance practice.
But then no one would want to watch such an authentic performance.
That, after all, is the best approach to an authentic performance style.
In the early days of Speed, they surprised the audience with their authentic performance.
But as sometimes happens, the slightly less authentic performance is the far superior one.
The debate about the authentic performance of early music is shifting into a new gear.
These were the authentic performance style of traditional Russian folk songs.
And the only authentic performance of a piece of music would be the composer's own.
It all asked interesting questions about authentic performance.
He does not believe in the "authentic performance" movement - or rather, he has his own competing concept.
In particular, the authentic performance movement owes much to historical musicological scholarship.
However, by that time its performance style had grown out of fashion, not in line with the growing "authentic performance" movement.
It's silly to give an entirely authentic performance.
It is of great interest today as a source of information on authentic performance and flute technique in the 18th century.
Eastwood limited rehearsals and takes to garner more authentic performances.
The earlier trios are now frequently performed and recorded using authentic performance, of the kind for which they were originally written.
In the course of the story there are several authentic performances of Balinese dance.
Annaud did not explain to Slater what she would be doing in order to elicit a more authentic performance from the actors.
This authentic performance symbolizes the past and present state of social hierarchies within the community and the island.
His seemed the more authentic performance.
The opera is noted for its authentic performances, with a full orchestra and chorus in support of fully staged productions.
Without such singing, even the most historicaly authentic performance will never keep a Handel opera in the repertory.
Perigard found it to be "an absorbing, addictive drama, with some authentic performances" but not history.
Barenboim has rejected musical fashions based on current musicological research, such as the authentic performance movement.
Isserlis is committed to authentic performance, and frequently performs with the foremost period instrument orchestras.
Their project is based on ancient Hungarian folk songs, and the authentic performance of these with Irén's voice.
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