cantatrice

I wanted to put the cantatrice at her ease.

That settled Phebe's fate as a cantatrice.

Looking at her, Denis always thought of Wilkie Bard as the cantatrice.

He worked as a cantatrice and wrote numerous religious works (including one mass, two motets and two oratorios).

As early as November 1889, The Times newspaper called her "the favourite cantatrice of the Opera".

Ionesco's La Cantatrice chauve is mostly made of language conversation book lines used out of context.

It's a place where somewhere, any time of year, you can catch a staged version of Ionesco's "Cantatrice Chauve."

He is set in motion by a ballet-dancer, a cantatrice, an actress; in short, he is a brigand-captain, with other brigands under him.

However, La Cantatrice chauve is still playing at the Théâtre de la Huchette today, having moved there in 1952.

Ionesco set about translating this experience into a play, La Cantatrice Chauve, which was performed for the first time in 1950 under the direction of Nicolas Bataille.

Legend has it that during a rehearsal, an actor, instead of saying une institutrice blonde (a blonde teacher), said une cantatrice chauve, thus prompting a change in the title.

A 40-Year Run "The Bald Soprano" ("La Cantatrice Chauve") was inspired by his own attempts to learn English by using an English-French conversational manual.

Eugène Ionesco's The Bald Soprano (La Cantatrice Chauve) was first performed on May 11, 1950 at the Théâtre des Noctambules.

Later the same year he also staged adaptions of Harold Pinter's The Dumb Waiter (Kjøkkenheisen) and Eugene Ionesco's La Cantatrice chauve (Den skallete sangerinnen).

L'amore per inganno (L'amoroso inganno; La cantatrice di spirito) (opera buffa, libretto by Giuseppe Palomba, Teatro dei Fiorentini, Naples, 1801)

La Cantatrice Chauve - translated from French as The Bald Soprano or The Bald Prima Donna - is the first play written by French-Romanian playwright Eugène Ionesco.

Another famous design appeared in 1964 in Massin's graphic interpretation of Eugène Ionesco's play, La Cantatrice chauve (translated as The Bald Prima Donna or The Bald Soprano).

Like Samuel Beckett, Ionesco began his theatre career late: he did not write his first play until 1948 (La Cantatrice chauve, first performed in 1950 with the English title The Bald Soprano).

In 1853 Bosio accepted an invitation to join the roster of singers at the Bolshoi Kamenny Theatre in Saint Petersburg, Russia where she was given the title "Première Cantatrice" and was the highest paid singer at the theatre.

Le cantatrice villane - Alda Noni, Ester Orell, Fernanda Cadoni, Sesto Bruscantini, Franco Calabrese, Agostino Lazzari - Orchestra di Napoli, Mario Rossi - Cetra reissued by Warner-Fonit (1951)

In spite of her basic theoretical ignorance and her vulgar manners, Banti, owing to her natural talent, succeeded in growing a highly refined cantatrice and was able to shrink from outward appearance, from superficiality, and, in a word, from the decay of vocal taste which marked the 18th century's second half.